Roger Ebert has been tweeting (and blogging) from Cannes, and I'm reading every word that he types, trying to fool myself into thinking that I am at Cannes myself. :) This post (and hopefully some other upcoming ones) is to suggest everyone else who might be interested and lukkha enough that following Ebert might be a pretty good way of keeping an eye on Cannes.
For those, who are interested but not lukkha, this post and others in the series will point to whatever I find interesting. If I am able to pique your curiosity about any particular movie etc, you can always head on to Ebert's blog later.
So far he has talked about a possible animated movie nomination for next year's oscar, a french movie by the maker of "The Triplets of Belleville" called The Illusionist; an english movie with a rather intriguing concept directed by Hideo Nakata, the director of "The Ring", called Chatroom; the "Wall Street" sequel by Oliver Stone, called Wall Street: Money Never Sleeps; and a korean movie called The Housemaid.
Out of these The Housemaid seemed pretty interesting to me. Ebert mentions that some people are already speculating that it might be a frontrunner for Palme d'Or, though it is still quite early in the festival. Ebert's synopsis -
The trailer is pretty exciting too. Thrilling, as the movie promises to be, with some pretty good music and interesting look.It takes place almost entirely within the huge modern house of a very rich man, and centers on the young woman he has hired as a nanny. It involves the man, his wife, his daughter, the older woman who runs his household, and the mothers of the wife and the nanny.This is a house where living is an expensive form of art. The couple are smooth, calm, sophisticated. They value themselves very highly. The nanny forms a bind with their 7-year-old daughter, and assists the wife during a pregnancy with twins. More than that I choose not to specify.But look at the mastery of the film's construction. The nuanced performances. The implacable deliberation of the plot. The way the house acts as a hothouse to force the growth of anger. And the film's unforgiving portrait of people damaged by great wealth. This is a thriller about the ideas people have of themselves.
This is another South Korean movie that seems exciting, after Mother that released earlier in the year and is one of the best movies that I have seen in 2010 so far. Hmmm... I should write about Mother one of these days...